Small lights:
Small lights, like bare bulbs and sunlight, cast strong, hard shadows. They can be softened with a diffuser, or you can fill them to reduce the shadows - with another light or reflector.
This lighting technique can be useful when producing shots for a magazine, as the shadowing details that the small light draws attention to works well as a piece of media that people will be able to hold and look closer at themselves.
Medium lights:
Medium lights, like light from a window or Chinese paper lantern
Great balance - big enough to be soft but small enough to be atmospheric
Big lights:
Such as a cloudy sky or reflected off of a white wall. They give off very even lighting and soft shadows, with little atmosphere. Easiest type to use and also good for detailed photos and group shots.
This is a technique less commonly used in print media format for things like magazines, as big lights do not focus in one one (or few) specific models. They are better for group photos, as mentioned above, and so contrast with conventional magazines which usually only use one or two models in images.
Direction of light
Light from directly in front is flat and characterless. Three quarter light, from a 45 degree angle is an average/normal place to start in traditional light setups. Light from directly above tends to make people's eyes disappear into shadow, unlike light from the side is very atmospheric though very hard to work with. Light from below gives people a scary look, similar to rim light, from light behind the subject is very atmospheric.
Light from the front.
45 degree angle.
The following three shots are not typically used in a magazine as they are limited in terms of the detail captured in each shot, something a magazine with little space for images cannot afford.
Light from below.
Light from the side.
Rim lighting.
Light from above.
Outdoors
Using daylight is easiest on days where there is little cloud cover and therefore you can shoot in any direction and get good shots.
Sunlight is trickier as it can cast harsh shadows and dazzle your subject. For a subtler effect, use it as rim light (behind the subject, out of shot) as in the shot above.
Low sunlight is tricky to work with but it can be very atmospheric: many films are shot in the rich ‘golden hour’ light just after dawn or before dusk.
Indoors
You could bounce a powerful light, like a builders’ work lamp, off a reflector, a white wall or the ceiling. You can also use work lamps to shoot low-key (side lit) closeups. Or you could buy a set of film lights. Halogen film lights get very hot; LED arrays use less energy and run cooler.
Both outdoor and indoor lighting can be used in magazine images as neither limits the detail captured and both show the subject of the photo nice and clearly. It is often more common to see indoor lighting used, as most magazine photographs begin life in a photoshoot, in front of a white screen under bright indoor lighting.
Conclusion:
In our film opening, we are going to try and use big lights, to keep a simple and effective atmosphere. We will also try to use outdoor lighting. We will experiment with more atmospheric and detailed shots like rim shots and lighting from below to try and follow the theme of horror genre. 45 degree angle is going to be the easiest to use and therefore we will possibly include that too.
The lighting techniques most likely to be used for magazine imagery, would be a front facing, indoor light with little shadowing or heavy contrasts in order for the reader to be able to see all features of the subject from one depth.